Instant Film
Polaroid, Impossible Project and Fuji peel-apart films: compressed highlights, milky blacks and unstable colour.
Instant film develops in daylight in seconds, with all the chemistry sealed inside the print. The compromises that requires — limited dynamic range, lifted blacks, colour that shifts with temperature — became the aesthetic. This collection separates professional peel-apart packs, which were studio tools, from the consumer integral films whose unpredictability is now the whole appeal.
9 stocks in this category
Fuji FP-100C
The last peel-apart colour film in production — cooler and cleaner than Polaroid's.
21 renderings
Fuji FP-3000B
Very fast peel-apart black and white film with striking contrast.
14 renderings
Polaroid 665
Peel-apart black and white film that produced a usable negative as well as a print.
9 renderings
Polaroid 669
The standard professional peel-apart colour film — the classic Polaroid palette.
11 renderings
Polaroid 690
A higher-saturation peel-apart colour film — 669 with more punch.
16 renderings
Polaroid Px-100Uv+
A monochrome-leaning Impossible emulsion with a strong tonal cast.
12 renderings
Polaroid Px-680
The 600-format Impossible colour film — slightly more contrast and colour than PX-70.
16 renderings
Polaroid Px-70
The first Impossible Project colour film for SX-70 cameras — soft, pastel and unpredictable.
16 renderings
Polaroid Time Zero Expired
Expired SX-70 Time Zero film — degraded colour, heavy casts and blotchy shadows.
10 renderings