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Best Film Looks for Night & Low Light
Fast emulsions built for bars, concerts and streets after dark.
Low light does two things to film: it forces you to push, which raises contrast and grain, and it usually means mixed artificial sources, which wrecks white balance in ways that differ by emulsion. The stocks here were designed for exactly that, and their pushed variants are more authentic to how they were actually used than their base renderings.
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15 looks in this selection
Fuji 800Z
Fuji's fast professional negative: cool, grainy and surprisingly clean in mixed light.
4 renderings
Fuji Neopan 1600
A fast Japanese emulsion with tighter grain than its western rivals.
5 renderings
Fuji Neopan Acros 100
Fuji's fine-grain film, famous for having essentially no reciprocity failure.
1 rendering
Fuji Provia 400F
The predecessor to 400X — flatter and more neutral.
1 rendering
Fuji Provia 400X
Fuji's fast slide film, with more saturation than Provia 100F.
1 rendering
Fuji Superia 1600
Very fast consumer negative — heavy grain, compressed colour, strong night-time character.
4 renderings
Fuji Superia 800
Fast consumer Superia: grainier, contrastier, still unmistakably green-cool.
4 renderings
Fuji Superia HG 1600
An earlier high-speed Fuji emulsion with coarser grain and cooler colour.
1 rendering
Fuji Superia X-Tra 800
The surviving fast Superia, built around Fuji's fourth-layer technology.
1 rendering
Ilford Delta 3200
The classic fast black and white film — enormous grain, unmistakable atmosphere.
5 renderings
Ilford HPS 800
A discontinued fast Ilford emulsion sitting between HP5 and Delta 3200.
1 rendering
Kodak Elite Chrome 400
The fast Elite Chrome: grainier and flatter than the 200.
1 rendering
Kodak Kodachrome 200
The fast Kodachrome — the family look with grain and slightly cooler colour.
1 rendering
Kodak Portra 800
Portra colour rendering at ISO 800, with more contrast and visible grain.
5 renderings
Kodak T-Max 3200
The fast T-grain film — big grain, low contrast, built for the dark.
6 renderings